Oscar Wilde states in his Preface to The Picture of
Dorian Gray that art should not resemble nature, but vice versa. When he states that “The nineteenth century
dislike of Realism is the rage of Caliban seeing his own face in a glass”, he means
that the human race is frustrated by its own imperfection (vii). Art should not always be created with the
intention of frustrating its viewers, and therefore it should not resemble the
imperfections of real life. Wilde adds at
the end that people must never see art-like beauty in their utilitarian creations
because art is created with the purpose of being beautiful, and anything
created outside the realm of art is not art (viii). Wilde’s aesthetic philosophy is
unconventional because it challenges the traditional belief that beauty must have
a higher moral purpose than simply “beauty for beauty’s sake.”
Wilde’s intends for his tone toward his audience to be blunt
and shocking. Throughout his preface, he
uses no language ‘softeners’ such as “it is a not unjustifiable assumption
that” or “in my opinion.” As a result,
everything he says is very direct and sounds strong and purposeful. Wilde sounds much more confident and sure of
himself because of his direct and concise language. Moreover, Wilde states epigrams that the
reader may have never considered before or with which the reader may have
previously disagreed. The reader may therefore
reluctantly question the rationality of his or her own opinions, which may in
fact be more superficial and less insightful than the points Wilde makes.
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