Meursault’s murder trial becomes Camus’s primary vehicle of
the absurdist philosophy. Throughout the
trial, both lawyers attempt to construct meaning out of Meursault’s past in
order to justify their respective arguments, attempting to paint Meursault as
the type of man who respectively would or would not commit a murder. Part of the prosecutor’s evidence that
Meursault is a murderer, for example, is Meursault’s “ignorance when asked
Maman’s age” (99). This information is
completely trivial and does not necessarily provide any indication of Meursault’s
insensitivity, yet the prosecutor claims that Meursault’s ignorance of this one
simple number means that Meursault is undoubtedly a murderer. Camus makes the prosecutor look ridiculous
for making this leap of reasoning, and by extension, Camus points out the
absurdity of extrapolating from the constructed significance of trivial
actions.
Another example of evidence the prosecutor uses to show that
the murder was premeditated is Meursault’s “swim the next day—with a woman”
(99). The reader realizes that this
supposed evidence is totally meaningless because Meursault says so
himself. When Marie invites Meursault to
swim with her, he agrees not because he predicts that responding “yes” to Marie
is simply easier than responding “no.”
However, the prosecutor attempts to interpret this decision as an
indication that Meursault takes delight in death. To the reader, this reasoning appears even
more ridiculous because the reader experiences first-hand the actual reasoning
behind Meursault’s choice to go swimming, which does not have nearly as much
significance as the prosecutor claims.
Ironically, the jury comes to the same conclusion that the
reader does. The reader sees clearly at
the end of Part I that the murder is definitely not an accident; Meursault
points the gun at the Arab slowly and carefully before he pulls the
trigger. However, the jury reaches the
same verdict based on absurd extrapolations of meaningless events in Meursault’s
past. The difference is that the jury reaches
their decision in a roundabout, unnecessary way, while the reader comes to his conclusion
simply and quickly. Camus’ points about the
ridiculousness of interpreting meaningless actions rather than objectively
examining what is concretely known in order to make faster and more sensible
decisions.
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